Aria

Cynthia Dobrinski's simple, yet beautiful 2-octave piece has been transcribed by Charles Maggs for only four performers while maintaining the integrity and character of the original composition. Performers and audiences alike will be captivated by the piece's lyrical melodies suspended over either simple ostinato patterns or half-note chords. Wonderful as a prelude, offertory or meditative anthem, or for concert. Also available for full choir from Agape (code no. 81).